So you’ve recorded your tracks and are ready to mix but you’re kind of bummed because everything always sounds so muddy and you know that whatever you try will not help much.
We’ve all been there. A lot. Yet there is one thing we know about but rarely seem to pay very much attention to:
The High Pass.
Continue reading “It’s Pretty Wizard: The Magic Of The High Pass”
At the end of last year I decided to post about the books I’d read in 2022. In that post I said: “… for 2023, I plan to read even more.”
Six months in and I’ve already surpassed last years count, so why not do two entries for 2023?
As a fun aside our family did the Book Advent Calendar again this year but I bag I chose, for some damn reason, was Popular Thrillers. I first book I unwrapped was The Davinci Code, which I hadn’t read as I’d been led to believe that it was shitty and not worth my time. Undaunted I decided to give it a go…
… only to find that it was shitty and not worth my time. I put it down after three chapters. It’s just so eye-rollingly bad in every way a book can be bad.
The rest of the books that came out of the Popular Thriller Advent Calendar were more of the same: Tom Clancy, John Grisham, and a couple more Pat Browns. I read only one of them and donated the rest.
Anyway, here we go…
Well, shit. It’s been three whole months. So much for trying to keep up on this here blog on a regular basis.
Remember this? Well, let’s see how it going.
(Note, I’m not going to comment on each specific topic in that NY post, just some of them with added colour commentary.)
“I plan to start moving again. I’m going to get myself a bike and start using it for all the errands that I currently drive for – like going to the store that’s literally less than 5 Km away”
I bought a bike. A nice, basic fitness/city bike. While I’ve never been the worlds biggest Cannondale fan, this bike checked all the boxes for me:
The test ride in the store parking lot sold me. This bike is limber and, so far, it does what I ask. I haven’t really pushed it yet due to weather and springtime chores but as we move into May, I will be going farther and farther. I haven’t realy biked anywhere in well over 5 years, so I’m going to ease back into it.
Uh-huh. This is not going as well as planned. While I have shed a little weight, I’ve spent more time eating useless, carby, packaged food (and take out!) than I should be. Also, have been drinking a little more than I should be.
I haven’t worked on anything since early March. Musically, the new tune I have is done but only has half its lyrics. I need to get back on this in a big way.
I’ve picked back up on this. FocusWriter is my app of choice (I did try a few other, Open Source writing apps and found them overly complicated) and I set a daily goal of 500 words. I kept this up for about two weeks, then tapered off a bit. Now I try and find some time in the wee hours of the morning. Or I spend time pecking away at this rather than doomscrolling through the news.
This is an edited version of what I originally had here. I felt like i jumped the gun on a few things and was very, very reactionary about the computer bit which is stupid because it’s just computer shit. I’m trying to not be whiny about things like technology. I want to take deep breaths, look at my options and move forward. I don’t want to hit a snag and just stamp my feet and yell.
So I’ll put a little tech/computer update here and shitcan the incessant whining.
And that, as they say, is that.
Since 2015 or so, I’d been trying to get synths working, mostly for live performances, and found myself frustrated with Kontakt, Ableton, and the like. I’m not knocking either of these programs. I know they’re tried, tested, and true. I know a ton of pros live and breath by them. For me, I just couldn’t get them to click. I found the learning curve steep and the cost high. I never made it past the trial stage.
I turned to Apple’s MainStage which made everything easy. Thanks to this app and my trusty 12-Step, I was able to not only record synth parts for Opium Winter, but also play them live.
However, as anyone who happens to read this blog knows, my MacBook Air is on its last legs and I’ve mostly moved away from Apple. I had to start looking at alternatives.
When I started moving back to Windows, I gave a few apps an honest try. Gig Performer and Cantabile and Camelot Pro and, again, none of them clicked with me. So while recording on Windows, I’d just fire up my old Mac and run all my synths and keys through MainStage, which was becoming less fun as the computer was showing its age.
Now that I’m pretty entrenched in Linux, I decided to finally take a bit of time and figure out synths outside of MainStage. As it turns out the answer was staring me in the face all this time: Just use a DAW.
While learning recording techniques, I spent so much time dealing with microphone setups and direct inputs that I’d completely overlooked the fact that you can easily setup midi inputs in Reaper and Mixbus 1 , create a track, attach a hardware midi controller to it, load up whatever synth plugin you want, and just go for it. All it took was for me to stop searching for “MainStage alternatives” and start searching for “setting up synths in (insert DAW here)”. I quickly got my answer in an eight minute video from an account I already subscribe to. Needless to say this made me feel not so smart.
Anyway, it is what it is. I tried the steps in the video and it worked as advertised 2. Easy peasy, but how about the synths themselves? Well, if there is one thing open source musicians love it’s synths.
Just check out the list at Linux Music Rocks. Pages and pages and pages of synths. Some are paid, most are free. The hardest part of this experiment is wading through and testing all the various plugins. Some are good (SATURN by Unlimited Records is fun) some are not so good (most anything from Uhhyou plugins crashes both Reaper and Mixbus hard) and others are somewhere in between.
Yet there is one major standout: SURGE XT. This plugin is, for me at this particular moment, the holy grail I’ve been searching for.
There is so much to work with in this plugin that I’ve only made it through maybe half of the presets, which I like to start with just to see what a plugin is capable of. And so far I’m impressed.
I’m still playing around with SURGE XT as well as testing out other instrument plugins and it’s good to have found a native way to get the sounds I want. Admittedly, this is why there were no keys or synths in my last two songs; I wanted to see what I could do with only Linux. And now here. The new track I’m working on has synths created sans MainStage.
I don’t know when I’ll ever get the opportunity to try this out this setup in a live environment, but for recording it’s perfect.
1: TBH, any DAW out there worth its salt can handle midi.
2: No surprise there. Kenny Gioia’s REAPER Mania account is solid gold for anything Reaper. If it can be done, he’s got a tutorial for you.
Dropping another new track: “Gods, Prophets, or Slaves”.
Song Notes
The bones of this song have been around for at least five years; I’ve been messing around with the main bass groove 1 since early 2017. It’s been through a few variations over the years and last fall I decided that this was the first one I was going to record entirely in Linux.
I scrapped the original takes I’d done in Windows and re-recorded everything in Fedora on Reaper and Mixbus 32c using native plugins. 2
As of the beginning of December last year, all it needed were lyrics and vocal tracks, which were all completed in the past few weeks.
Main plugins used:
All in all, Linux is pretty solid for recording something from start to finish. While there is not as many options for native plugins as there is for Windows or Mac, it’s a reminder that it’s always better to use what you have rather than spending your time looking for “the perfect plugins”. Remember: it’s not the plugins alone that make the song, or the sound.
So here it is in all its nerdy glory: “Gods, Prophets, or Slaves”.
1: Fun note: The working title of this song was “Spy Hunter” because my main bass groove reminded me of the 8 bit music version of the Peter Gunn Theme from the 1983 arcade game.
Side note: An early version of this tune can be heard in one of the LBL YouTube videos (starting at around 03:35).
2: Tracks were recorded into Reaper, stems exported to Mixbus 32c for the final mix. I record in Reaper as it’s lightweight and easy with the latency. Linux in Reaper is not overly great for mixing simply because it just does not like LV2 plugins or having ToneLib on more than one track.
For mixing, you just can’t beat Mixbus 32c. Not only is the inline EQ and compression on each channel strip so damn good you could get away with not using plugins, Mixbus just sounds better. While I don’t have “golden ears”, I do hear a pretty big difference between the output of Reaper and Mixbus.
The other day I shared Benn Jordan’s latest video regarding Spotify and mentioned that I’d post some thoughts. When I started to write this, I went back and re-read two pieces that I keep on hand:
Both of those articles opened a can of worms, especially when you think of them as older companion pieces to the video.
While a lot of people thought (and still think) the music industry was/is evil, no one was really prepared for Big Tech.
Continue reading “Music, Labels, The Internet, And Streaming Services”
I’ll add some thoughts in the coming days. For now, this is an important watch/listen.
Almost half a year into the Great Linux Experiment and I’m still here.
The last time I tired running Linux as a desktop OS was back around 2001. It went so horribly sideways that I lasted maybe two days. Then again this was 2001 and while I could get Linux (Mandrake) installed, couldn’t get the damned thing online. So it was essentially a weekend of yelling and screaming to myself because I had no Internet to yell and scream into.
Now I can scream all I want, anytime I want. Here are a few things I’ve discovered:
To start 2023, I decided to move everything back to where it began. I registered nicholastoone.com well over a decade ago, so that’s where everything is going to be. The Low Budget Lifer domain will not be renewed and will fall by they wayside sometime in late April. No more clever URL’s. No more content creating on whatever the big platform of the day is. No more playing with SEO or whatnot. Just me in my little corner of the Internet.
I was going to post a big, blathering piece about 2022 but I couldn’t find the right tone. Everything I wrote sounded overly bitchy, or overly elitist, or overly preachy. In the end, I’ve settled on a short list of what could be called resolutions.
I read more in 2022 than I have in recent years. I was a voracious reader in my teens and early twenties but tech got its hooks into me over the years and reading books just fell by the wayside. I’ve been working on changing this and for 2023, I plan to read even more.
I’m not what you’d call a fast reader. My rate is a little more than a book a month; a “book” being +/- 400 pages. I have a habit where I will re-read sentences or paragraphs that I find particularly excellent. I also spent too much time on my damn phone and not enough time with my nose buried in books.
So without further ado…
